American greats Wilco have had two very prolific years, releasing a critically-acclaimed album each year. Following on the heals of last year’s heralded Star Wars album, Wilco won hearts and minds this year with their album Schmilco. The band has been touring behind the new album and recently played Le Guess Who? Festival in Holland.  Fortunately, La Blogotheque caught up with Wilco while they were there and captured two stellar performances by the band of the nostalgic If I Ever Was A Child and Normal American Kids, both of off Schmilco (lyrics below).  Though the setting is dusky, as usual the band shines brightly (especially Nels Cline and the harmonists).

Check ’em out below and go buy Schmilco HERE.

If I Ever Was A Child:

“I’ve never been alone
Long enough to know
If I ever was a child

I was tied up like a boat
Unbuttoned like a coat
Set free for a while
Well I jumped to jolt my clumsy blood
While my white, green eyes
Cry like a window pane
Can my cold heart change
Even out of spite?

I slump behind my brain
A haunted stain never fades
I hunt for the kind of pain I can take

And I cry like a window pane
Can my cold heart change
Over night?
So I won’t ever want to touch
Your heart too much
Or hold you too tight

I slump behind my brain
A haunted stain will never fade
I hunt for the kind of pain I can take

I never was alone
Long enough to know
If I ever was a child”

Normal American Kids:

“I remind myself of myself long ago
‘Fore I could drive, ‘fore I could vote
All of the time, holding a grudge
‘Fore I knew people could die just because
Shot from a sling, head full of buzz
I knew what I liked was not very much
High at the time, tied to the grid
Always afraid of those normal American kids

Oh, all of my spirit leaked like a cut
I knew what I needed would never be enough
I was too high to change my bid
Always afraid to be a normal American kid

Always hating normal American empty summer days
Lightning crazed and cracked like an egg
High behind the garden shed
Painting myself as a normal American kid
I always hated it

High as high as high can loom
Under the sheets in my bedroom
I was high as high can get
Always afraid of those normal American kids

Oh, bongs and jams, and carpeted vans
Hate everything, I don’t understand
High times tightening the lid
I had to get away from those normal American kids
Always hated those normal American kids
Always hated those normal American kids”

First the bad news: in many ways 2016 has, how you say, sucked. Beyond recent political events, many seminal artists have left the planet, the most recent being the loss of the great Sharon Jones. And folks remaining on the planet are rightfully bereft.

Now the good news: the ever-entertaining and talented Chuck Prophet (never miss a chance to catch him live) has a new album coming out entitled Bobby Fuller Died For Your Sins. Prophet has already released the audio for new song Bad Year For Rock and Roll (see at bottom). Now comes a video put together by a Prophet fan, which you can watch below, which depicts the artistic loss (minus Ms. Jones). Indeed it’s been a bad year for rock ‘n roll (and the arts in general). You can stream/pre-order Bobby Fuller Died For Your Sins (out on Yep Roc) HERE.

Kids: if you don’t know Bobby Fuller, look him up.  And you can start HERE.

RIP all you greats.

We were taken today by a video recently released by LA band The Rebel Light for their superb song Goodbye Serenade. We’ll let the band’s press release below provide the backdrop for the video, which they released a week before the election but is even more relevant now:

“It has been a very dark and divided few days, so in the spirit of trying to remain positive in the face of so much adversity and negativity, we would like to share with you the video that we put together ourselves for our song Goodbye Serenade…. We wanted to visually create something that highlights the power of the human spirit and the incredible accomplishments that mankind has achieved. It’s about how great we as a human race can truly be when we focus our energy into creating something positive in this world. It’s also a reminder that regardless of our differences we are all brothers and sisters. Our greatest achievements in history have come from tearing walls down…. not by building them.”

The Rebel Light’s most recent release is the summery five-song EP A Hundred Summer Days that is now on repeat at Chez Lefort (Strangers is beguilingly catchy and Afterlife is highly recommended), and you can listen/pick it up HERE. Good stuff.

Watch the video below, and take heed and take heart. Lyrics at bottom.

“I couldn’t hear what you say
falling apart at the seems
its not the notes that you play
it is the silence between

I couldn’t tell if you’ve changed
or does the darkness remain
im just a stranger to you
a picture of someone you knew

strange days going in circles
we make time running in circles for your eyes
serenade all of your goodbyes
all of the reasons we make time
going in circles for your eyes
serenade all of your goodbyes…

sacrifice all of my thoughts
bleeding my memories dry
stealing the moments we’ve lived
from deep inside of my mind

strange days going in circles
we make time running in circles for your eyes
serenade all of your goodbyes
all of the reasons we make time
going in circles for your eyes
serenade all of your goodbyes

silence in my sleep
its the death of what I’ve done
a coma for your love
they’ll kill me on the run

strange days going in circles
we make time running in circles for your eyes
serenade all of your goodbyes
all of the reasons we make time
going in circles for your eyes
serenade all of your goodbyes”

It’s times like these…. In the wake of Leonard Cohen’s passing nearly a week ago and while finishing up their tour leg in England, Okkervil River honored Cohen by covering his So Long Marianne and his inspirational hymn Anthem.

Okkervil River’s Will Sheff then put the latter cover’s audio to a picture taken from their travels on a ferry to Germany and posted it with the following statement:

“It’s been a terrible week, over here finishing a European tour watching my country slide towards doom. The news of Leonard Cohen’s death had nothing to do with everything else in the news but, in my agitated state, seemed somehow like it did. Cohen was a songwriting hero to me. I opened our Bristol show, the morning after the announcement of his death, with this solo cover of ‘Anthem,’ which sounds distressingly appropriate to the current moment. We did a full band version of ‘So Long, Marianne’ later in the set. This picture was taken on the ferry from Denmark to Germany. Grey afternoon.”

Check out the song’s lyrics below, along with the following encouragement by the wondrous Cohen about the song’s chorus:

“That is the background of the whole record, I mean if you have to come up with a philosophical ground, that is ‘Ring the bells that still can ring.’ It’s no excuse the dismal situation, and the future is no excuse for an abdication of your own personal responsibilities towards yourself and your job and your love. ‘Ring the bells that still can ring’: they’re few and far between but you can find them. ‘Forget your perfect offering’ that is the hang-up that you’re gonna work this thing out. Because we confuse this idea and we’ve forgotten the central myth of our culture which is the expulsion from the garden of Eden. This situation does not admit of solution of perfection. This is not the place where you make things perfect, neither in your marriage, nor in your work, nor anything, nor your love of God, nor your love of family or country. The thing is imperfect. And worse, there is a crack in everything that you can put together, physical objects, mental objects, constructions of any kind. But that’s where the light gets in, and that’s where the resurrection is and that’s where the return, that’s where the repentance is. It is with the confrontation, with the brokenness of things.”

RIP Leonard Cohen.

Anthem:

“The birds they sang
At the break of day
Start again
I heard them say
Don’t dwell on what
Has passed away
Or what is yet to be

Ah the wars they will
Be fought again
The holy dove
She will be caught again
Bought and sold
And bought again
The dove is never free

Ring the bells that still can ring
Forget your perfect offering
There is a crack, a crack in everything
That’s how the light gets in

We asked for signs
The signs were sent:
The birth betrayed
The marriage spent
Yeah the widowhood
Of every government
Signs for all to see

I can’t run no more
With that lawless crowd
While the killers in high places
Say their prayers out loud
But they’ve summoned, they’ve summoned up
A thundercloud
And they’re going to hear from me

Ring the bells that still can ring
Forget your perfect offering
There is a crack, a crack in everything
That’s how the light gets in

You can add up the parts
You won’t have the sum
You can strike up the march
There is no drum
Every heart, every heart
To love will come
But like a refugee

Ring the bells that still can ring
Forget your perfect offering
There is a crack, a crack in everything
That’s how the light gets in

Ring the bells that still can ring
Forget your perfect offering
There is a crack, a crack in everything
That’s how the light gets in
That’s how the light gets in
That’s how the light gets in“

It was a tough week for many owing to the Presidential election and the loss of the great Leonard Cohen. Last night Saturday Night Live smartly wove the two through Kate McKinnon’s Hillary Clinton persona accompanying herself on the piano and singing Cohen’s Hallelujah, giving new meaning to many of the song’s couplets.

McKinnon’s Clinton particularly resonated in the following lines:

“Now I’ve heard there was a secret chord
That David played, and it pleased the Lord
But you don’t really care for music, do you?
….
I’ve seen your flag on the marble arch
Love is not a victory march
It’s a cold and it’s a broken hallelujah
….
I did my best, it wasn’t much
I couldn’t feel, so I tried to touch
I’ve told the truth, I didn’t come to fool you
And even though
It all went wrong
I’ll stand before the Lord of song
With nothing on my tongue but hallelujah”

At the end McKinnon, as Clinton, said “I’m not giving up and neither should you.”

Never give up the fight people. Keep evolving. There’s work to be done in the name of love.

Bruce Springsteen can do no wrong in our book, and once again he nailed matters in Philly last night where he performed and spoke on behalf of Hilary Rodham Clinton. Keep the faith.

It’s Election Day. Get out and vote! And don’t you worry ’bout a thing sang the wondrous Stevie Wonder on Colbert. Check it out below.

As an added bonus, check out Wonder’s resolve in his bluesy Star-Spangled Banner.

Peace, people.

Superb singer/songwriter/gifted-guitarist Margaret Glaspy is getting lots of deserved attention these days. Her deft new debut album Emotions and Math is receiving due acclaim, oracles are proclaiming her a Best New Artist, and she’s been featured in a popular NPR Tiny Desk Concert.

We’ve featured her before, but for a quick primer on Glaspy check out below her new video for the title song from her album. Like many of Glaspy’s songs, there’s a nimble melody, well-honed lyrics, adroit vocals and artful and tasteful guitar-playing. It’s a winning concoction that we can’t help going back to. The song Emotions and Math smartly surveys life apart from loved-ones, and the video features a love-lorn Glaspy at a desk job, pinning up mementos (including a “Santa Barbara” mini-sombrero knick-knack–Glaspy recently played here), counting down days until reuniting, and incapable of staying focused on her job. Great stuff from Glaspy and director Claire Vogel.

Glaspy was one of our favorite performers at this year’s Hardly Strictly Bluegrass Festival in San Francisco, where she wowed the crowd with her sultry vocals and vivid guitar playing. She’s out on a world tour now (see dates HERE), and you can bet she’s got emotions and doing the math while away. Catch her if you can.

And do yourselves a favor and go buy Emotions and Math HERE.